60 seconds

Top Menu

HOME
ARTE TOTAL
CONTACTS

segunda-feira, 12 de janeiro de 2015

Publicada por Arte Total à(s) 06:42 Sem comentários:

Enviar a mensagem por email Dê a sua opinião!Partilhar no Twitter Partilhar no Facebook Partilhar no Pinterest

Mensagens mais recentes Página inicial

Subscrever: Mensagens (Atom)

Title of film in English * Box of Charity

Title of film in original language CAIXA DE ESMOLAS
Country/countries of production * PORTUGAL

Release year * 2014
Director * CRISTINA MENDANHA
Choreographer CRISTINA MENDANHA
Performers GABRIELA BARROS | DAVID RAMALHO
Composer
Music and sound design * PLAY BLEU
Cinematographer PLAY BLEU | CRISTINA MENDANHA
Other principal crew

Producer
Production company ARTE TOTAL
Synopsis or a few lines about the film (English)
The box is an immense space, equal to the one that I tear in my head. It’s a closed space, with slots where riches are deposited. The bottom of the box reveals marks of who wears it and in it lives. It’s a side. I think more about him because I have the habit of looking down. It works as a map that shows us the city streets. It shows us important places that we should visit. But it also shows the corner where we find what changed our life. And everything only lasts for sometime. It starts then it ends. The head quickly tears the space. I’ll try to match him a body. I’ll force the body to be fast. And to write. Then I’ll gather all the writings. I’ll select, cut and put back together. I’ll set up a new map. I’ll repeat roads. I’ll repeat lots of times. I’ll sit and I’ll rest. I’ll talk about what has happened to me. I’ll write down the differences and get back to work.

The Box of Charity is a textual event but also a gear mechanism of apparently non-related characteristics that give birth to arbitrary connections. It’s also a textual experiment in which overlapping becomes a mechanism that produces it’s own connections. The mechanism that emerged from this experience drew unexpected directions and surprising sensations that only my dog’s imagination could surpass. It’s a study about what cannot be compared and can only be corresponded. The similarities and the differences, the acquiescence’s and dissonances, they only make sense if we face them as reasons for change.

.

CRISTINA MENDANHA
From 1981 to 1983 was a scholarship from the Ministry of Culture in Professional Training School of Companhia Nacional de Bailado. In 1989 finished her Degree in Fine Arts-Painting at the Faculty of Fine Arts, University of OPorto. Gets the Teaching Certificate in 1995, Royal Academy of Dance, London. Master in Art, Craft and Design Education, University of Surrey Roehampton, with the title of the thesis 'Fine arts as art education', in 2001. In 1992 founded the Arte Total, which holds the position of Art Director and Teacher. Since 1999 produces the program Salvo Conduto with choreographers Romulus Neagu, Maria Inês Villasmil, Vicente Trinidade, Paulo Henrique, Joana Providência, Aldara Bizarro, Peter Michael Dietz, Paula Castro, Cristina Graça, Margarida Serrão, Paola Moreno, Maria Reis Lima, Teresa Fabião, Madalena Victorino and Valentina Parravicini. Choreographed pieces - Diário de n , Corpo Kodak, DiZei Beckett in the House, Tiques, Passagem, Onde Só A Asa Pode Chegar, Kaus, Nadir , Guelra -Canis Majoris e Escadas Zero. Tutor in Dance and Theatre, Culture Programme / Institute of Employment and Vocational Training - Ministry of Culture / Portuguese Institute of Performing Arts in 2000. From 2009-2012 was a Invited Assistant at Polytechnic Institute of Viana do Castelo-ESE. Advisory Board Member of Theatro Circo de Braga, since 2006 to 2014. Team Member of the Artistic Capital of Culture Guimarães - Community Area, 2010-2012. Currently PhD Student- Arts Education in Faculty of Fine Arts, University of Porto.

still photo(s) or screen captures of the film

.

.

.

.

Tema Simples. Com tecnologia do Blogger.